Articles, Blog

La Armonía en el Flamenco | Paola Hermosín

December 3, 2019


Good Afternoon and Welcome to a video you asked me a lot about the Harmony in Flamenco Music Well, I wanted to start from the origins the origins come from Ancient Greece Greeks used descendent scales based in tetrachords set of 4 notes mixed together 4 in 4 and they got a scale they were descendent. This is very important because when it is descendent it generates a tension between half tones which makes this relation from leading tone to tonic which we also find in Flamenco music we’ll see it now the main modes were Doric, Phrygian, Lydian and Myxolide the Greek Doric is the origin of Flamenco why is it like this? well, between notes there are tones and half tones these are distances if tone is like this semitone is the half although as other theories say, it isn’t in the middle exactly, but ok more or less, to understand it from C to D there is always a tone D to E, tone but naturally we find half tones from E to F and from B to C without altering any note with flat or sharp so REMEMBER from E to F and from B to C there is a half tone what happens with Doric mode? It is built from E E, D, C, B, A, G, F, E Then, we find half tones at the same places as Flamenco scales why today we know it as Phrygian mode? well, it is a long story Music changed, evolved, and at the Middle Age we found Gregorian chant this was the evolution of the flat song with the intention of telling the Bible to the to Christian believers in the Middle Age, they took those Greek modes and they changed them starting from the names they called them Protus, Deuterus, Tritus and Tetrardus And we also had Plagal modes and Authentic Modes and a very important thing is that they changed descendent scales for ASCENDENT SCALES because they understood scales in a different way we have to consider that music in that period Greek music or Medieval music don’t seem in almost anything to the music we have now why? because music nowadays has vertical chords and before music was totally horizontal I mean, there were voices singing the same melody monodically if they sang a Kyrie which is a part of the mass which is sung I just made it up if someone else joins they’re gonna sing the same and they sang it following one of their scales they took Protus ok, so we sing inside Protus scale and they just sang with Protus notes Greeks did the same if they took Mixolidian, they only sang with Mixolidian notes that’s the purpose of scales, to organize the music and each one sounds different this horizontal line just a line going ahead Dorian Greek mode, they could play for example improvising horizontally over the Phrygian mode, which is actually the Doric Greek mode This evolved and at the end of Middle Age, they called these modes or scales which had changed from Doric etc. from Greeks to Protus, Deuterus… and they recalled them with Greek names but wrong I mean, now Doric mode is called Phrygian mode by the medievals and the rest, reorganized That’s why today we know Phrygian mode as a Flamenco mode or scale but this Phrygian mode isn’t really the origin but the Doric Greek one Because the Doric Greek mode was descendent when we play it ascendent, it’s not the same as playing it sounds pretty much flamenco why? if you put it descendent what happens? it isn’t D-E but F-E Remember: between F and E there was a half tone!! not between D and E but between F and E and between B and C that’s why before I played it in C major between B and C exists that tension that attraction music attracts, there are poles that attract like magnets in ascendent scale from E it doesn’t happen because there wasn’t a half tone at the end but if you put it upside down, descendent, it generates the needed tension to be able to relax there before there was the modality we moved in these scales and none of them had an attraction of leading tone-tonic that hard nor there weren’t grades as tonic, subdominant and dominant but that started to play for example, when we’re at C major we have tonic, subdominant and the dominant, with more tension than others if you let it like this, it isn’t conclusive it has to solve in tonic again to relax, to let music solved it’s like talking for example, if I say where are you going? this is not conclusive but if you answer to me: I’m going to the cinema you solved the phrase it’s like an arc with a point in the highest part with the most tension and down points are relaxed ones where are you going? I’m going to the cinema isn’t it? and inside of each semi phrase there is also a tension and distension where are you going? at the intonation of the phrase cause music is a language, it’s like talking so if we do it’s like saying where are you going? and you answer I’m going to the cinema it’s a very basic reason to explain how musical language works in tonality terms what happens today? well, that horizontal line was completed with chords I mean, more than one note over each note of the scale they formed vertical blocks of sound for example, over D they put D minor over C, C major over A, A minor over each note there is a chord but what happens? because Flamenco sounds very special as logic evolution of Greek Doric mode nowadays known as Phrygian mode, it should be: for example we take it in A, descending: A, G, F, E it should be minor but this doesn’t sound Flamenco because Flamenco put G # sharp to make the tonic major Although in the scale we don’t find any alteration which tells us G should be sharp so, how does it sound in Flamenco music? besides, they added other tensions which weren’t as Classical harmony but 7th, 9th… they weren’t added to chords before in that way and it’s still conclusive why? it’s curious, because from Classical music, it’s always seen from an ethnocentric point of view what’s ethnocentrism? it is when you try to analize the situation of others from your point of view just looking at your belly button I mean if you analize flamenco from classical point of view, you’ll never understand it it’s like trying to understand African irregular rhythms for example, or from Venezuela they contain 5 by 8 bars and you try to put them on shoes in a 3 by 4 it doesn’t fit in a 3 by 4, it is not its size because it is a 5 irregular rhythm because it comes from popular music which has been refined and made itself cultured cause it evolved a lot but we should try to understand it from their parameters so a lot of classical musicians understood it wrong they thought that E major was the dominant of A minor and we weren’t inside a mode Greek or medieval for them, we were at tonality in A minor for them, it should solve in Am but Flamenco never solves in Am excepting tonal palos (flamenco styles) but palos as soleá, seguiriya, bulerías… no, they don’t solve in Am this was studied by classical good musicians there are a lot of classical musicians that did they were successful in their studies and they talked about those characteristics from Flamenco music forming a unique system, as for example Turina, Falla, or García Matos among other authors as Felipe Pedrell and they have methods or books where they explain all Flamenco harmony Turina was one of the first who defended Andalusian scale didn’t work as a tonality No! it remained in E and there it relaxed this was Andalusian scale Flamenco was born from it from that popular music which goes evolving taking an own language thanks to gypsies who gave a unique touch to the music a very special way of playing it thank to Andalusian people too, who sang it in a very special way too, both mixed and to that mix with classical elements which already existed in that period in that period they did those cadences but Andalusian and Andalusian gypsies refined and adapted and did this understanding it as the tonic that’s the special thing of Flamenco music it combined on the one hand, modality which comes from Greeks on the other hand, tonality adding to each note of this horizontality verticality it has the tonality it majorized a minor chord but inside the mode E doesn’t work as the dominant we have to remember that always and it also has what Andalusian gypsies added with those tensions of 7th and 9th in Romanticism period with strumming techniques before, cultured guitar was the one picked also mixed with strumming guitar but in popular music people didn’t have access to the culture so they developed a lot the strumming technique and thumb techniques as Alzapúa which you can listen to in one of my videos playing a Soleá I let you the link in cards or in the description below well, the evolution of strumming techniques also added a unique characteristic to Flamenco and it also has the influence Jewish culture and all cultures that passed through Andalusia which is unique and besides, Arab influence too the one that came to Andalusia and stayed a lot of time of which we are reminiscent through scales as, for example, the Hispanic-Arabic which was mixed with the scale we had here as the “Phrygian” scale which was actually the Greek Doric scale it sounds like this (Hispanic-Arabic scale) it sounds pretty much Arabic So when Flamenco guitarists improvise, they use all these tools to contribute with all these influences that’s why when something doesn’t sound Flamenco it is because it doesn’t have or it isn’t capturing all the essence af all these influences you can capture and these Hispanic-Arabic scales come from Arabic scales as for example, the Hijaz scale also formed by tetrachords instead of doing A, G, F, E Andalusian cadence, they do A, G#, F, E and it gets that point much more Arabic so you can play both, combine them and we find it at a lot of Flamenco palos (styles) so Harmonic Flamenco System is a unique system because it isn’t either modal neither tonal but it combines the best of both with Arabic influences Jewish influences too the influence of chant and all these things cause Arabs use a lot 1/4 tones I mean, before we talked about tone half-tone but there is also a more little thing the 1/4 tone there is something in between, for example E, F, E between E and F there is a half tone but there’s something in between too it’s a 1/4 tone too E, F, E E (1/4tone) F there’s something between and we don’t have it for example in the guitar cause we have frets but in instruments as oud, for example Arabic oud, it doesn’t have frets or a violin, a cello… instruments which don’t have notes limited by frets in tones or half tones so why there are things which have cadences similar to Andalusian cadence but it doesn’t sound Flamenco? why? it’s the key for example, we can see it through a Beatles song Michelle the beginning of Michelle goes like playing “por medio” (in A chord positions) it goes in D minor Andalusian cadence what does it have although it have this cadence, it doesn’t sound Flamenco is it that the singer doesn’t sing in English? well, apart from he doesn’t sing in Spanish or with Andalusian accent, which is important too in Flamenco, here, A works as a dominant of D it isn’t going to stay there the song follows the song should follow and finish in A but Michelle finishes in D in D major it’s playing with major mode, minor mode… but it doesn’t use Phrygian mode in a Flamenco way Neither has characteristic melismas nor 1/4 tones in voices which Andalusian people or Andalusian gypsies do so hope you loved this video I tried to analize Flamenco as I see it I am a classical guitarist I have to learn a lot from Flamenco but I always try to understand it not from a classical ethnocentric point of view as I said before, but staying inside of the parameters that Flamenco has listening to it and understanding it not seeing it from outside from a far position or superior position because it shouldn’t be like this Sometimes in Flamenco people don’t name things cause they have an oral tradition you learn it from me to you, from you to me the tradition gets transmited through people it’s not something with written tradition as classical music my purpose isn’t naming everything or classifying everything, because we can’t classify everything but we try to understand the magic of Flamenco which makes it unique and being able to give importance to it through these things hope you love it you can comment, ask me for new videos about this topic, I can make another if you want about Flamenco palos (styles) about the rhythms, because this video went about the harmony trying to explain why something sounds Flamenco you can subscribe, like and share with friends if you liked it thank you so much for watching!

100 Comments

  • Reply marza December 2, 2019 at 8:13 pm

    Me ha encantado. Todos los videos son bienvenidos. Es la mejor manera de entender el flamenco. Admiro a Paco de Lucia y disfruto mucho con tus versiones y tambien con tus temas originales. La guitarra me apasiona. La clásica y la española, flamenca y bueno, toda. Muchas gracias y sigue así.

  • Reply KoPain Houi December 2, 2019 at 8:14 pm

    ☀️❤️☀️❤️☀️❤️☀️🥦

  • Reply Exe Gamboa December 2, 2019 at 8:15 pm

    👍👍👍……….bien profe

  • Reply Jose Maria G.V. December 2, 2019 at 8:24 pm

    Me encanta, necesitaré varios días para poder asimilarlo, sobre todo por mi desconocimiento. Sigue ayudándonos a aprender sobre la música!

  • Reply Abe Cádiz December 2, 2019 at 8:33 pm

    Gracias por darle fundamento teórico a la música flamenca, que tanta riqueza tiene!

  • Reply Ozmar Lopez December 2, 2019 at 8:34 pm

    Me encantan los vídeos como éste, se aprende mucho! Saludos desde México!

  • Reply NoeEnrique Vera December 2, 2019 at 8:34 pm

    A donde vas Conejo Blas con esa escopeta que llevas atrás?

  • Reply william kauffman December 2, 2019 at 8:36 pm

    the history of music is very interesting, thanks!

  • Reply Karl Karzon December 2, 2019 at 8:37 pm

    Paolita hermosa , eres una chingona , como decimos en México

  • Reply Vinicius Braçale December 2, 2019 at 8:38 pm

    Fantastica.. tu es incrible

  • Reply GRUPO FRAGMENTO NORTEÑO BANDA December 2, 2019 at 8:41 pm

    SIMPLEMENTE…. UN TALENTO HERMOSO

  • Reply Taith Macerca December 2, 2019 at 8:41 pm

    Si, si signorina.

  • Reply NoeEnrique Vera December 2, 2019 at 8:44 pm

    Play the most Flamenco piece you can find please!

  • Reply Jesus Martinez December 2, 2019 at 8:44 pm

    Muchas gracias por esta muy instruida explicación, y sí por favor una clase de los palos del flamenco.

  • Reply Abe Cádiz December 2, 2019 at 8:52 pm

    Opino que el hecho de que el flamenco no se haya trasmitido de forma escrita o formal ayuda a la creatividad en la interpretación que en cada ocasión va a ser diferente y hace que sea algo mágico cuando surge el " Duende" en una actuación o encuentro! ( me recuerda al jazz en esto)!

  • Reply dxd dxd December 2, 2019 at 8:53 pm

    Un lio tia…. 🙂

  • Reply Javier Masiá Dasí December 2, 2019 at 8:53 pm

    que grande eres niña!!!

  • Reply katafasko December 2, 2019 at 8:59 pm

    Sería imposible dar una explicación más amplia y detallada, dados los límites de un vídeo de YouTube. Lo tuyo es muy especial en todos los aspectos. Gracias por enriquecernos.

  • Reply Happy Little Tree December 2, 2019 at 9:02 pm

    Acabo de descubrir tu canal y me parece increíble. Vídeos muy interesantes y muy bien explicados. Genial!

  • Reply alcazarjc December 2, 2019 at 9:07 pm

    ¡Cuánto sabes y qué bonito lo explicas! 😍

  • Reply Mohamed Nen moussa December 2, 2019 at 9:09 pm

    Gracias muy interesante un Saludo Maiestra

  • Reply Edwin Salinas December 2, 2019 at 9:10 pm

    Eres maravillosa

  • Reply Fabrizio di Carlo December 2, 2019 at 9:20 pm

    Sei brava e simpatica. In pochi minuti hai riassunto secoli di storia musicale.

  • Reply Jose Antonio Manzanero December 2, 2019 at 9:27 pm

    Muy buen vídeo!! Los que somos de formación clásica necesitamos aprender de otros lenguajes musicales que son realmente interesantes y enriquecedores. Me fascina tu manera de tocar, enhorabuena por tu gran talento tan bien aprovechado. Un saludo!!

  • Reply Francisco CAMPA - Francisco Andrés Callado Andrés December 2, 2019 at 9:29 pm

    Eres una crack, pero por favor no digas que se cambió el nombre a los modos griegos. Porque los ascendentes no tienen nada que ver y vienen de los echoi bizantinos. Como a los bizantinos se les llamaba griegos tenemos esta confusión histórica… Las dos teorías conviven igual que hoy en día convive el clásico con el jazz. Repito, ¡eres una crack! Es una pena que no hablemos más de esto tú y yo

  • Reply R. Barata V December 2, 2019 at 9:31 pm

    Que grande!!

  • Reply Gianfranco Viola December 2, 2019 at 9:33 pm

    Spiegazione chiara e affascinante. Adesso mi tocca imparare il flamenco!!

  • Reply Jesús MB December 2, 2019 at 9:33 pm

    Muchísimas gracias Paola y enhorabuena. Éste es un video para mirar y remirar. ¿Tienes alguna recomendación bibliográfica para profundizar en la armonía flamenca? ¡Es muy interesante!

  • Reply poppy amato December 2, 2019 at 9:44 pm

    Eccellente non ti manca nulla

  • Reply Pumo fer December 2, 2019 at 9:47 pm

    Impecable,!!!! Muchas gracias!!

  • Reply Willard Garcia December 2, 2019 at 9:48 pm

    Muchas gracias por esta bella explicación. Cuánta dedicación, paciencia y alegría en cada ejemplo y forma de explicar. Gracias por tanto Paola ♡

  • Reply COCINA VEGANA December 2, 2019 at 9:48 pm

    Me encanta el orden que llevas para explicarnos la historia de la música. 😉

  • Reply Bartolo Rivero December 2, 2019 at 9:51 pm

    Me ha encantado el vídeo, y si, me gustaría mucho otro sobre los palos del flamenco. Gracias.

  • Reply alberto gonzalez December 2, 2019 at 9:54 pm

    Hola! no estarás por Madrid no? porque te contrataba de profe seguroooooo

  • Reply christian perez December 2, 2019 at 9:56 pm

    Me a encarando,

  • Reply abel herbe December 2, 2019 at 10:00 pm

    Bonita melodía la del final del video.

    Había… quien era capaz de sacarle ese 1/4 de tono a la guitarra

  • Reply Magma Fluorescent December 2, 2019 at 10:05 pm

    Eres una gran inspiración ya que yo igual me dedico a tocar guitarra clásica. 💜 por favor síganme en mi canal, igual empezando a subir videos tocando
    https://youtu.be/i26_XTRV7Ao

  • Reply judijaba December 2, 2019 at 10:07 pm

    Peazo lección que se hace corta. Muy ilustrativa. Gran favor a la música flamenca para legos como yo.

  • Reply Sergio Mallorga December 2, 2019 at 10:11 pm

    Iluminador aporte, Paola. ¡Muchas gracias!

  • Reply Juan Diego Hernández Lalinde December 2, 2019 at 10:15 pm

    Ja, ja, ja. Belleza, dulzura e inteligencia. Gracias.

  • Reply Nelson Hernandez December 2, 2019 at 10:15 pm

    Tu debes ser de otro planeta, que pasión, emoción y sabiduria para enseñar, Dios te Bendiga

  • Reply Feh von Dorff December 2, 2019 at 10:15 pm

    Linda e talentosa como sempre Paola, adorei a teoria sou apaixonado por música flamenca !!
    Gostaria de lhe indicar una música brasileira chamada Odeon- Ernesto de Nazareth

    Saludos desde Brasil, mil perdon por no hablar bien Español

  • Reply Jesús A P December 2, 2019 at 10:17 pm

    Hola!! Muy interesante, como siempre 👍🏽
    De dónde eres??

  • Reply O M December 2, 2019 at 10:17 pm

    Mi hermosa princesa andaluza.

  • Reply Tárcio Farias December 2, 2019 at 10:25 pm

    Frígio, segunda menor…

  • Reply Guillermo Fernandez December 2, 2019 at 10:26 pm

    Muy bien explicado Paola gracias por el video

  • Reply Marco Antonio Lara December 2, 2019 at 10:27 pm

    Hermosa intelectual educada la mejor maestra del mundo eres una.locura de sabiduría

  • Reply Marco Antonio Lara December 2, 2019 at 10:30 pm

    Bamba bamba para bailar la bamba do FA y sol.

  • Reply Carlos Javier Ruiz Muñoz December 2, 2019 at 10:31 pm

    Eres maravillosa Paola!!!! Qué hubiese dado yo por haberte tenido de profesora de música cuando estudiaba el BUP. Además de la música y la docencia tienes muy buena madera de etnomusicóloga.

  • Reply David Collao Castro December 2, 2019 at 10:32 pm

  • Reply Marco Antonio Lara December 2, 2019 at 10:36 pm

    La misma gata pero revolcada gracias por la información

  • Reply Luis Carlos Hinojal December 2, 2019 at 10:37 pm

    Paola, tu apellido es diminutivo. Pero lo tuyo es aumentativo o superlativo. Un millón de gracias. Para mí el flamenco es una pasión, y me ayudan tus videos. Muchas gracias de nuevo👏👏👏👏👏

  • Reply Critia Dafaka December 2, 2019 at 10:39 pm

    Suena bien me la aprendere ❤

  • Reply Luis Jesús Díaz Ruiz December 2, 2019 at 10:48 pm

    Este video vale oro, muchas gracias. Por favor me gustaría más videos de historia musical

  • Reply Miguel Angel Andrade December 2, 2019 at 10:55 pm

    Hola buenas tardes amiga pao

  • Reply Durant L December 2, 2019 at 10:56 pm

    – Yo soy el que soy y vengo de donde vengo.
    – ,Maestro, me gustas por lo bien que te explicas.

  • Reply Jhony Correia December 2, 2019 at 10:59 pm

    Sou brasileiro e o estilo que mais acompanho de fora do meu país é o FLAMENCO. Apaixonante este gênero/estilo. ❤🎵🎶🎸

  • Reply Durant L December 2, 2019 at 11:03 pm

    Una SupeCrack Hermosín..

  • Reply Miguel Angel Andrade December 2, 2019 at 11:03 pm

    Tienes mucho talento y bonita forma d enseñar de tí aprendo mucho

  • Reply Roberto Rodriguez December 2, 2019 at 11:11 pm

    Te acabo de descubrir recientemente Paola y lo he flipado con este video! Gracias por ayudarnos a aprender y a entender la guitarra a los amantes de este intrumento!

  • Reply Aarón Santana December 2, 2019 at 11:18 pm

    He aprendido mucho con este video. Felicidades, es una buena aportación para los profanos en el flamenco.

  • Reply Marcelo RSBS December 2, 2019 at 11:23 pm

    Linda maravilhosa

  • Reply Ezequiel Matías December 2, 2019 at 11:27 pm

    Súper interesante. Gracias

  • Reply Francisco Batista Garcia December 2, 2019 at 11:31 pm

    Gracias por compartir tus conocimientos, saludos desde México.

  • Reply RGL01 December 2, 2019 at 11:32 pm

    Thank you for this lesson!!!

  • Reply Ricardo Muñoz December 2, 2019 at 11:34 pm

    Me encantaría que sigueras compartiendo el gran conocimiento que tienes.
    Que gran persona por compartirlo 😁
    Saludos ✌️🇲🇽

  • Reply GuitSiva December 2, 2019 at 11:40 pm

    Hi Paola..
    Hope all is well..👍This briefing on theory was excellent and analysis on The Beatles song Michelle* with Flamenco modes was quite interesting indeed..👌Thanks, oh yeah you sang that song so beautifully and why don't u sing it along with the gentle plucking of chords..👍Warm cheers..😊 God bless..🙏🎶🎸😊

  • Reply Javier Medrano December 2, 2019 at 11:54 pm

    Genial, muchas gracias!

  • Reply Julián Santos Hernandez December 2, 2019 at 11:59 pm

    Eres mi ídola bendiciones para ti siempre

  • Reply jorge esteban velasquez hernandez December 3, 2019 at 12:02 am

    Excelente video, gracias por la info, te felicitooooo

  • Reply fernando guerrero December 3, 2019 at 12:05 am

    me gusta mucho este tema

  • Reply Jeff Baldridge December 3, 2019 at 12:12 am

    Fine Lesson Paola, Thank You

  • Reply Minh Truong December 3, 2019 at 12:17 am

    Muchas gracias ! Apprendemos mucho contigo, y la musica parece mas interesante…

  • Reply kevin catedra jimenez December 3, 2019 at 12:20 am

    Podría escucharte durante horas❤

  • Reply Ismael Vazquez December 3, 2019 at 12:20 am

    ¡Eres súper! Súper bien explicado, te entendí a la primera.

  • Reply Ernesto Spezzi December 3, 2019 at 12:21 am

    Ciao Paola! meraviglia 🙂🎵🎶

  • Reply Alexis It afao December 3, 2019 at 12:23 am

    Muy completa tu información histórica no es fácil entender, me gusta tu manera de explicar logré entender que existe una evoluvión por las etnias y culturas que pasaron por España, estas formas y escalas seguirán cambiando?..habra más aporte o ahí queda?. Esta explicación es netamente suya. según su experiencia o está analizado por otros estudiodo?.

  • Reply inef85 December 3, 2019 at 12:28 am

    siiio porfa!! ritmos y palos 🔥🔥🔥👍🏼👍🏼👍🏼 y percusión 😀 me encanta la idea de "teoría de flamenco para músicos ajenos" ya que tus explicaciones en este han sido genial.

    afirmó también que la traducción en inglés la habéis hecho muy bien 👌

  • Reply Jose Monsalvo December 3, 2019 at 12:31 am

    Increíble Paola, este canal es magnífico. Gracias por compartir tanto, Saludos desde Barranquilla, Colombia.

  • Reply Jacob A J Taylor December 3, 2019 at 12:33 am

    Usted dio una verdadera cátedra, didáctica, amena y, al mismo tiempo, maravillosa. Gracias por compartirla.

  • Reply Jorge Morataya hope Chanel December 3, 2019 at 12:37 am

    Excelente información gracias por estos vídeos didácticos

  • Reply dimzay December 3, 2019 at 12:57 am

    I have no idea about Spanish, but still I was able to understand about 20%. Thanks.

  • Reply Fernando Bazan December 3, 2019 at 1:01 am

    Hermosa

  • Reply Juan Hernandez December 3, 2019 at 1:07 am

    Brillante !!!!!!! eres Hermosa en todo tiempo y mas aun cuando explicas la musica con tanta gracia y sencillez .Bella paola Bendiciones !!!

  • Reply lgnacio Armand Ugon December 3, 2019 at 1:27 am

    Muy divertidos e inspirador el vídeo! Gracias genia!

  • Reply guilhermejf86 December 3, 2019 at 1:41 am

    Very interesting! Thanks for the class!

  • Reply Umberto Chagas da Silva December 3, 2019 at 1:44 am

    Gostei, a música medieval é belíssima. Em especial do instrumento Oud.

  • Reply Marco Sesatti December 3, 2019 at 1:45 am

    Esta cátedra vale su peso en oro, Paola hace y dice tan fácil lo que es difícil de tañir a la alta escuela, gracias por existir maestra.
    Bravo!!!!
    👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼

  • Reply Roxel Barroso Ramos December 3, 2019 at 1:48 am

    Kirieee eleisoon…. (lo he inventado) jajajajajaja te adoro!!,! Una verdadera cátedra!!!

  • Reply Umberto Chagas da Silva December 3, 2019 at 1:48 am

    Noto um ar clássico e medieval nas tuas composições

  • Reply noeli sanchez December 3, 2019 at 1:49 am

    Increíble explicación, tienes curso de flamenco tu? Gracias por este aporte

  • Reply Domenico Patti December 3, 2019 at 1:53 am

    Me tienes enamorado "❤️

  • Reply Jose Alberto Gonzalez December 3, 2019 at 1:54 am

    Gracias por existir!

  • Reply Bruno Cabaleiro December 3, 2019 at 1:56 am

    Felicitaciones por tu maravilloso trabajo!!! Saludos desde Brasil!!!!

  • Reply Amilcar Damian Grasso December 3, 2019 at 2:02 am

    Te amé!! Idola total

  • Reply Rodrigo Díaz December 3, 2019 at 2:11 am

    Esta mañana me cogió el tiempo, llegué tarde al trabajo por tu culpa y no tuve tiempo para comentar y darte las gracias por este video…cómo hace un ser humano para dar tanto cada semana?

  • Reply Elkin García December 3, 2019 at 2:19 am

    Yo toco un poco la guitarra pero solo de oido, es muy complicada la teoria, mejor sigo disfrutando del sonido. 🤪🤪🤪 Un abrazo desde colombia. Talentosa y hermosa, que deliciosa mezcla.

  • Reply Made In In December 3, 2019 at 2:23 am

    Hola…(No entiendo nada del lenguaje Musical del Solfeo,me apasiona la Musica eso si,…y mi oído si aprecia más o menos bien los sonidos y ellos en la Música)…de la falta de esas notas en la guitarra comparandola con el Ud, se llegan a generar esos sonidos desde el virtuosismo con una guitarra..!!??

  • Reply Julio alejandro Santamaria December 3, 2019 at 2:25 am

    Hola, porque el modo frigio siendo menor si al tocar el acordé de tónica lo haces acordé mayor queda bien y hasta suena mas flamenco.
    Muy buen video y agradecería tu respuesta. Saludos desde Argentina!

  • Reply Kailos Dante December 3, 2019 at 2:44 am

    Simplemente sensacional

  • Leave a Reply