Articles, Blog

Guitar Speed Secrets Nobody Told You

October 31, 2019

Hi, this is Mike Philippov from In this video, I want to address a few of
the more common mistakes that I see a lot of guitar players make, both when it comes
to building their general guitar speed and specifically their speed with picking technique. Now, of course we all know that speed is not
everything when it comes to guitar playing, but, this is the one area that I’m asked a
lot of questions on and I want to take the time in this video to address it in more detail.  As you can imagine, there’s more than a single
best way to go about building your speed. Of course there are multiple approaches that
are all effective and that all work but at the same time there are also many, many wrong
ways to go about building speed as well. And no matter which approach you use for building
your speed, if you make any of the mistakes that are described in this video, it’ll be
a lot harder for you, if not impossible, to really bring up your speed to the level that
you want.  The first mistake that I see a lot of guitar
players make is practicing with a very flexible pick, which is also often the very thin pick
that bends as you play. And the reason why it’s not a good idea to
practice with such a pick, is because it will totally mess up your 2-hand synchronization
as you try to play at faster tempos. And the reason why this happens is due to
a very basic physics principle which is: when your pick applies pressure to the string,
the string applies pressure back onto the pick.  And at the same time, if your pick is very
flexible, it will have to bend to accommodate that resistance. What will happen as a result is that, after
you’re finished playing your note, the pick will have to reset back to neutral in order
for you to continue playing. And at slower tempos, you can get away with
this with no problem. Because, you have enough time in between notes
for the pick to reset and you’ll be able to continue playing with your hands still in
sync. But the faster you try to play, the less time
you have in between notes for the pick to reset.  And so as you attempt to increase your speed
to higher and higher tempos, eventually there won’t be enough time for the pick to return
back to neutral. And your hands will be out of sync. Essentially your picking hand will not be
able to keep up with what your fretting hand is doing. So for this reason, I recommend practicing
with a pick that is sturdy enough so that it does not bend as you play through notes. My personal recommendation is to use a pick
that’s at least one millimeter thick or thicker. This particular pick I’m playing with is 1.26
millimeters thick. And there are some guitar players who use
even thicker picks like 1.5, 2 or even 3 millimeters.  Of course there are also some exceptions of
guitar players who use picks that are thinner than one millimeter and still can play fast. But the most important thing, like I said
is that the pick stays sturdy enough to handle faster playing and does not bend as you play
through notes. This particular factor of the pick being sturdy
is way more important in terms of deciding what pick to use for practicing, than the
size of the pick, the shape of the pick or what material, it’s made out of.  The next important element of lead guitar
technique that I see a lot of guitar players get wrong in their attempt to build their
speed is, the way they position their picking hand and the way their pick is angled on the
strings. And there are several variables to consider
here, but the main one is that you avoid tilting the pick too far up or down as you play. Doing so puts one type of pick stroke at an
advantage, and another type of pick stroke at a disadvantage. And here’s what I mean: When you tilt the
tip of the pick upwards towards the ceiling, it makes downstrokes much easier to play,
but makes upstrokes harder. Which is why this particular position is preferred
for rhythm playing where you often have to play several down strokes in a row.  [MUSIC] But if you do the opposite and tilt the tip
of the pick downwards, it’s going to make downstrokes harder, but upstrokes feel much
easier. So for this reason, when you play lead guitar
and when you’re trying to build your speed, you want to have the tip of the pick more
or less neutral or parallel to the strings, so that both down strokes and upstrokes are
equally easy to play. Another aspect of angling the pick that’s
very important is to have the pick turn about 45 degrees towards the head of the guitar,
where the tuning tags are.  And this will allow you to have the pick slice
through the string at an angle, as opposed to hitting it completely flat and having to
use a lot more force and pressure to sound the note. And this will make your picking feel like
a hot knife slicing through butter as you play through faster sequences. It will feel super easy.  [MUSIC] So, the important thing is to have the pick
tilted 45 degrees this way and keep it more or less neutral as far as up or down plane
is concerned. The next important area that a lot of guitar
players get wrong in their attempt to build their speed is the way they hold the pick. Now, this is a very fundamental area of technique
of course. But if you get it wrong, you’re going to have
a much harder time building your speed and improving your guitar playing in general. At the same time, there’s also a very simple
skill to learn. And there are only two mistakes that I see
guitar players make over and over again with this area of playing.  And the first mistake is if they hold the
pick very, very tightly, so that their entire arm becomes very tight with tension. It becomes nearly impossible to achieve any
kind of speed in this tensed- up state. The second mistake is the exact opposite,
which is: when you’re holding the pick very, very lightly in attempt to play everything
with the least amount of effort possible. And that results in the pick moving around
in your hand, which totally messes up your 2-hand synchronization as you increase the
speed.  And that also leads to the pick falling out
of your hand, which is obviously not good either. The solution to this is pretty simple. What you need is to find a way to hold the
pick that allows you to keep it very firm and stable in your hand, so that it does not
move at all as you play through notes, no matter how hard or how fast you’re hitting
the notes. And at the same time, it does not have to
require a massive amount of force or strength to hold the pick in place. I will give you a demonstration now, using
some close up video of how I hold my pick, and you will see the basic principles that
have to be in place for you to discover the best way to hold the pick for yourself.  Here’s what to do. You take the pick and lay it on the side of
the index finger- not the fingerprint, but the side of the index finger. Lay it like this and put the thumb on top
of it. And that’s all there is to it. Right now, the pick is already in position,
my arm is very relaxed, I’m not applying any pressure really to hold the pick in place. But it’s already locked pretty tight and it’s
not going to move. And all I need to do to get ready for playing
is apply just a little bit more pressure to really lock the pick in place totally securely,
and make sure that it will never move no matter what I play.  One other thing that’s very important to notice
about the way I hold the pick is that, I have my thumb sticking out past the edge of the
pick. Notice how it’s overlapping the pick slightly. I did this intentionally to make it much easier
for myself to play fast. And the reason why it makes it easier for
me to play fast, is because it brings the pick in closer to the base of my wrist, the
base of my thumb and gives me much greater leverage for faster playing. So now, with the pick locked into my hand
as I illustrated, I’m ready to play at any speed that I want and I won’t have to worry
about the pick moving around in my hand in any way disrupting my 2-hand synchronization.


  • Reply Someone You dont know October 13, 2014 at 11:45 pm


  • Reply Alvir Latt October 14, 2014 at 11:56 pm

    I swear that specific Ibanez must be very popular, I have the same exact kind, and I've seen tons of other people using them xD

  • Reply Aaron Mifsud October 15, 2014 at 10:29 am

    one way i found to develop speed was to tremolo pick all of my diatonic scales ( i do it in E minor/Gmajor.) But also a good warm up helps

  • Reply Jacob Landry October 15, 2014 at 11:06 pm

    So I have been playing a while but have never really gotten into soloing, could you do some videos on just the basics of soloing, I know some scales but I have trouble making things up on the spot. Could you please make a video about different guitar "moves" you could do. As in different bends and hammer on pull of combinations? Also thanks for making all the videos they help a lot

  • Reply My identity is not important or relevent October 17, 2014 at 12:15 am

    For me,I always get the most precision from a Dunlop Jazz 3.They're thick,small and pointy.I play with just the very tip.I've always gotten the best results with these picks and have become so accustomed to them that regular picks now seem awkward to me.IMO they are the best picks for playing fast black/death metal.

  • Reply leokhao thalalom October 21, 2014 at 4:27 am


  • Reply barkulator October 24, 2014 at 4:42 pm

    The Bruce Lee of electric guitar! 🙂

  • Reply Dex Dion October 25, 2014 at 3:32 pm

    best solution, quit using picks. lol

  • Reply keith ellis October 26, 2014 at 3:46 am

    What about Marty Friedman.

  • Reply GCKelloch October 28, 2014 at 12:12 pm

    1.26mm looks like/must be a Clayton Acetal? I use the large Triangle version. I was thinking of going up to 1.52mm. Have you tried those? Too thick? Also, have you tried the Ultem 1.20mm as an alternative. Great harmonics with those.

  • Reply RockFour1 November 1, 2014 at 1:43 am

    What pickups are on your guitar?

  • Reply Kohontsi Karakhwa November 3, 2014 at 8:28 pm

    Arrrrgh! I don't wanna hold my pick like that. It's like starting all over again lol .

  • Reply Nikita Joaquin November 4, 2014 at 4:38 pm

    Does it matter if you don't use a pic?

  • Reply Kodamin - Bropocalypse November 4, 2014 at 10:41 pm

    Thanks for the info!

  • Reply TheLuisberg Top Commentor November 6, 2014 at 9:29 pm

    I didn't know Seth McFarland played metal. Awesome!!!

  • Reply Orlando Fonseca November 11, 2014 at 1:10 am

    holy hell so much wisdom shared in this video.

  • Reply Diann Higgins November 13, 2014 at 3:08 am

    Lol I loved that thing he did before he started talking it sounded sick.. How do u play it lol

  • Reply Sean Landis November 14, 2014 at 4:20 am

    Thank you for the 45 degree pick angle suggestion! Changes everything 🙂

  • Reply Guitar God Secrets November 17, 2014 at 3:39 am

    Totally agree, some people are so focused on getting faster without working on basic technique first. Better to spot bad habits early on before it screws up your playing.

  • Reply sanjeev babu November 17, 2014 at 7:12 am

    keep your guitar on the stand if you are not playing it

  • Reply blue cheese cult November 21, 2014 at 8:32 pm

    The secret is that there is no secret – Only practice and dedication

  • Reply Steve Saferat November 25, 2014 at 7:09 am

    The pick is the very thing that has to be right.If you use the alternate picking technique ,you need to attack the up  and the down angle . I use a 3mm pick that will attack up notes and down notes.Also it is the wrist action the movement is in the wrist.Look at the Michael wigen picks at his website.Happy playing always..:-)

  • Reply Kyle Thompson Guitar December 1, 2014 at 6:20 am

    Rgt 42?

  • Reply Jingying Wang December 6, 2014 at 11:30 am

    I unterstand not so good.
    Ist there anybody have wrote a Notes?

  • Reply john quackenbush December 6, 2014 at 9:45 pm

    Great videos!

  • Reply David De Wolfe December 11, 2014 at 1:59 am

    heard the first 20 seconds and clicked like, thanks for the help!!!

  • Reply Dunster December 12, 2014 at 3:44 am

    I like what he says about playing with a thick pick for speed. I've never been attracted to speed, and far prefer the dynamics etc that I get with a thinner pick, but then I cut my teeth learning from guitarists who are not known for their speed. HOWEVER , if I ever decide to become a fast player, it's good info to know

  • Reply Joe Dov December 12, 2014 at 11:41 pm

    good lesson Dude

  • Reply Adam Miller December 13, 2014 at 7:39 pm

    What guitar are you using?

  • Reply David Crawford December 18, 2014 at 12:51 am

    I can't wait to try these tips. Been playing for over 20 yrs and maybe could benefit from this. Now if only I can find my pick.

  • Reply Corey V December 19, 2014 at 12:19 pm


  • Reply dmanbass December 22, 2014 at 12:22 am

    I was sceptical. I looked at your video and thought well i've played guitar for 47 years. Theres no way holding a pick effects my speed. I got to the part where you demonstrate how yo hold the pick. I grabbed a THICKER pick and my guitar and played a riff. Well I was wrong. It makes a huge difference for me and I dont think i will drop my pck all the time now like i used too either. The more i learn the less i know. Thank you for taking time to demonstrate your techniques. Well worth it. I have to watch your other videos now. Your fast as hell too.

  • Reply Taylor Rhodes December 27, 2014 at 5:30 am

    0:20 – "Nailed it."

  • Reply Groovin' Music December 29, 2014 at 1:45 am

    Great Videos Mike but I am not clear on the 45 deg. tilt of the pick. Does this mean the pick is slightly rotated anti-clockwise (pointing towards the pick ups) or clockwise (tip angle towards the nut) ? Woud love to see an illustration of it.

  • Reply TheHuntingPals January 9, 2015 at 4:09 am

    I'm just here for advice. I'm in a friend of mines band, and I'm assigned lead guitarist. But I'm better at playing and writing rhythm guitar but neutral at lead. Should I switch places with him? He's not really good at rhythm anyway.

  • Reply Justin Jordan January 12, 2015 at 6:28 am

    Been playing for almost 10 years, and I'm ashamed to admit that I've never really considered going up to 1mm+ before. Gonna try that ASAP!

  • Reply Scott Murphy January 16, 2015 at 8:16 pm

    Damn I have been playing with such bad habits for so long it will feel like starting over holding my pick like that. I play a lot of double picking palm muting shit and turn the pick at a angle. I turn the pick so I play on the edges is that what he meant by turning it toward the neck? Everybody want to shoot their mouth off so go!!!!!!!

  • Reply superjet113 January 18, 2015 at 5:15 pm

    This was a great video thank you..Subscribed and looking forward to checking out your other videos!  I learned a lot here with the physics part of picking.  Ive been playing around 15 years total and am left handed but play right handed guitar, so my left is great on the fret board, no problems with about anything.    My right forearm likes to tense up(like you mention) when trying to speed pick faster, and then it gets difficult.  I try to relax it, but it just keeps wanting to tense up eventually.  I feel like Im about all tapped out on the right arm for picking. I also try to concentrate more of the picking in the wrist too and that is difficult also with my right hand. I know my right is not as coordinated as my left but I would think some kind of good muscle memory would of taken over by now…haha

  • Reply Wolf Gaming January 19, 2015 at 2:33 am

    wholy shit that was fast, that intro tho, such fast, so speed

  • Reply xSmittyxCorex January 22, 2015 at 4:03 pm

    Good advice I never thought about, but how do you pinch holding the pick like that?

  • Reply Linn Win January 27, 2015 at 7:07 am

    first thing you said is very true. i started using jazz 3s but dunlop. definitely feels a lot better when i'm picking fast.

  • Reply Cody Bruce January 29, 2015 at 8:08 pm

    "You wanna be able to shred?! Just chose the right pick, hold it correctly and BAM! Your on your way to fame!" …. -_-

  • Reply Bourne Accident January 30, 2015 at 1:28 am

    The biggest mistake wannabe shredders make is concentrating on their left hand and not their right (for right handed players).

  • Reply Reckless Technique February 3, 2015 at 7:31 pm

    thin picks arent ideal, but look at paul gilbert, he uses .60 tortex picks and his speed picking is clean as hell.

  • Reply Al Jadjulie February 7, 2015 at 2:44 pm

    i dont use pick.. 

  • Reply Eric Reitelbach February 10, 2015 at 5:19 am

    kick ass

  • Reply Steve Edward February 12, 2015 at 8:09 am

    Great video!  Question, are you Matthew Broderick's twin?

  • Reply borhanus February 15, 2015 at 8:06 pm

    whats the point of playing that fast lead if that don't sound good in your ear.i would rather learn fast metal riff other than waste my time in learning fast lead ,which is really just for showing off & lack emotion

  • Reply Eric Standefer February 28, 2015 at 6:05 am

    Excellent lesson, invaluable information for speed.

  • Reply Aspirative Music Production March 18, 2015 at 12:35 am

    Yeah, it's all true

  • Reply Trudeau Must Go March 28, 2015 at 4:33 am

    Isn't the first step to playing faster buying an Ibanez?

  • Reply Shirshak Raj Kunwar April 5, 2015 at 10:10 am

    its help me thanks

  • Reply D- Veg April 8, 2015 at 1:10 pm

    Speed is just about practicing. I don't recommend you to just focus on speed.

  • Reply Acontructinthecore April 11, 2015 at 5:10 am

    Is it me or his right hand is way bigger that the left one?

  • Reply Salas Nuñez April 13, 2015 at 5:56 am

    Excelent videooo!!!

  • Reply frank aragona April 13, 2015 at 1:31 pm

    using a thin pick will make you play faster if you are a beginner or pro  and you get flex able picks not hard thats why ppl break them fast

  • Reply Lily s August 12, 2015 at 6:05 am

    The begining.. Well damn

  • Reply reddead August 24, 2015 at 3:26 pm

    This video is all about picks. Why isn't "pick" in the title?

  • Reply s4 Phone September 4, 2015 at 12:30 pm

    5 minutes of practicing these techniques already improved my poor guitar playing skills. 4ux yess.

  • Reply Jon Samuel September 4, 2015 at 6:27 pm

    Man, the way you shred and how clean and buttery it sounds is purely phenomenal. You are a monster.

  • Reply Deoxis September 16, 2015 at 12:29 am

    Sick guy, thanks for showing! 🙂

  • Reply Buğra Mısri September 17, 2015 at 1:12 am

    While soloing: I will tear these strings! Fucking strings! fuck the guitar! fuck fuck fuck fuck fuck!!!
    After Soloing: Hi 🙂

  • Reply Phoenix Pagan September 27, 2015 at 12:30 pm

    I used to use a 2mm gator grip, but I found a .73mm sharp pick (u know, the hella pointy ones) and I can play faster and more accurately with it.

  • Reply a te October 10, 2015 at 10:35 pm

    first part of the lesson is to buy an Ibanez

  • Reply grape hooch October 28, 2015 at 1:25 pm

    I use fender medium picks and slam the action on all my guitars. never had any of these problems tho

  • Reply Dunc Poly October 30, 2015 at 10:00 pm

    I think the biggest problem of boosting speed is left-right hand synchronization, different sensitivity and strength of left hand fingers along fretboard. For example: playing the same 2-notes lick with index and middle finger is easier than playing it with ring finger and pinky. The way you hold your pick is secondary.

  • Reply LuxeXx November 1, 2015 at 5:52 am

    Haha, I do all of his suggestions correctly and I still play in slow motion compared to him.

  • Reply MrVidsAllDay November 23, 2015 at 11:47 pm

    Tfw you play with a thin pick 🙁

  • Reply metalguitarZomg2 November 25, 2015 at 9:00 am

    people actually use different picks to practice than perform? why bother? why not just use the same pick for both that way you don't have to worry about switching?

  • Reply Teemu Kielinen December 5, 2015 at 2:20 pm

    Good points. What I find the most important indicator of proper technique is the tension and stiffness of the wrist. The looser and more relaxed it is, the more confidently you can play. If you realize that the wrist is getting stiff, that means that you are pushing too far of your capabilities. The you just have to practice at lower speeds with proper technique to get your brain and muscles used to the movements (playing is mostly about training your brain to control your hands more precisely)

  • Reply Sasha Glare December 7, 2015 at 12:56 am

    His fake rock star name is Mike Billy Bob.
    I love it.

  • Reply bixbybixby December 10, 2015 at 2:22 pm

    Finally, an intelligent guitarist giving intelligent instruction/suggestions/advice. No hype, No ego. No "I'm so cool". His physics example regarding a thin pick is correct. I could see it immediately, just never thought of it before. Basics being simple are usually overlooked. In this case, the basic is the pick.

  • Reply dobby240 December 11, 2015 at 12:30 am

    JESUSFUCK i was so engrossed in the last video and playing what i had just learnt that his opening shred scared the piss out of me

  • Reply Kenni Kuhlmann-Clark December 12, 2015 at 6:32 am

    Very nice; this guy is correct — he's showing almost exactly what I've done for many years regarding the picking hand…. Much of this might come almost naturally if you do it by 'feel' during careful practice using a number of formal plectrum guitar method books… But I wish the tone of the guitar was cleaner…. can't really hear what's exactly going on much (or most) of the time…. I mean, if this is a training video after all….. (I like a nice jazzy, flatpicking, or classical tone — I've long since gotten over shredding, just for shredding's sake — to me, it's all about the quality of the sound/tone, melody and harmony)….. Besides the physical things shown above, some other things to develop speed: 1.) always practice as precisely as possible, even if it is very slowly at first (do not practice faster than you can play cleanly); In some ways, playing SLOWER (but accurately) helps you learn to play fast — this may be because you can focus on the technique, and also, the time it takes for the pick to pass thru the strings should be almost the same amount of time, no matter how fast/slow the tempo; it's really the amount of time the notes are allowed to ring which determines the speed (you are not in contact with the string during this 'ringing' of the note — you are (almost) never 'resting' the pick on the string)… 2.) Play a lot of short quick passages, rather than only long and fast passages (for example: 4 fast notes (sixteenth notes, semiquavers), followed by one slow note (quarter note, crochet), and not continuous semiquavers); this gives the hands a chance to briefly rest, while still playing in the same overall tempo…. 3.) Stop playing when the hands become fatigued and the coordination is compromised. Incorporate short periods of rest into the practice session, and/or practice a significantly different component of technique/music….. 4.) Metronome: the metronome can be used, but it's biggest uses are 'checking' tempo (and progress of speed development), and for developing 'sense' of difficult rhythms (where you may 'drift' off time); without a metronome you may end up playing harder/faster parts a bit slower, and play slower parts a bit faster,… but really — in regards to the technique of passing the pick thru the string (and syncing the left and right hands), the most important thing is maintaining the accuracy in terms of not 'missing' or 'clamming' notes (i.e., accuracy of the hands trumps precise rhythm for this) — but DO check timing/tempo periodically with the metronome to show how far you are going off…..

  • Reply Yibin Mu [Holy War] December 27, 2015 at 10:17 pm

    Ha I love how calm this guy is and then after he plays, he gives you this look like, "I'm the shit and I know it."

  • Reply frozen fire December 29, 2015 at 6:40 pm

    Do you shredders rest your palm on guitar while shredding? or is it better to keep it in the air, I tried the later but I can't get the same accuracy I get while resting my palm on the guitar . Any suggestions?

  • Reply Sulaiman Uqaili December 29, 2015 at 7:39 pm

    Which Ibanez is that? I love the pickups!!!

  • Reply WarCry December 29, 2015 at 11:11 pm

    thanks i just sub

  • Reply Scott Basford January 10, 2016 at 6:49 am

    WHAT ??? you shouldn't attack with a light weight pick !!! Damn no wonder.

  • Reply Terry Thompson January 19, 2016 at 2:07 am

    Great video! Thanks for taking the time out to make it 🙂

  • Reply aragorn767 January 25, 2016 at 9:24 am

    It's all about heavy jazz picks

  • Reply fsflip3111 January 27, 2016 at 6:38 am

    TABS FOR INTRO?? 🙂 i make joke 🙂

  • Reply Z February 2, 2016 at 3:37 am

    my dear brother .. what you are giving in lesson are absolutely important those who want to play fast.. this is a realization that upward and downward pick slanting are the crucial part of it… so i am requesting you to show more videos with closer and slower view and what you do when sometimes the pick stuck with the inside and outside stoke?

  • Reply Epic Camel February 17, 2016 at 2:08 am

    What a terrible tone tho… but thanks alot!

  • Reply clonestone February 19, 2016 at 5:15 pm

    Picking and the structure of the licks/runs you play are always working in conjunction. Giving some sort of right hand advices without considering a string crossing strategy is kind of pointless.

  • Reply MetalSkeleton56 February 21, 2016 at 8:15 pm

    Is a PlanetWaves .70 mm pick good? it's not that flexible but it's thin.

  • Reply DeadShred65 March 26, 2016 at 2:41 am

    What Gauge strings are you using the way you attack that last note would pop my 9s !!!!

  • Reply Francesco April 22, 2019 at 9:19 pm

    This helped a fuck ton thank you!

  • Reply Greek Power May 13, 2019 at 10:41 pm

    Every of my problems got solved

  • Reply Michael Ehrmantraut May 20, 2019 at 4:06 pm

    Parts of the video
    1:18 pick thickness
    3:26 pick position
    5:22 holding the pick

  • Reply MrDustyDuke June 9, 2019 at 2:05 pm

    How’s your day off going?

  • Reply Mark Clifford June 17, 2019 at 3:54 am

    Speed is pointless if you can't play with feel. This had zero feel. Not only that, I'd personally rather listen to a guitarist like David Gilmour for years over this. This gets annoying after a while.

  • Reply Face2 Faceband June 28, 2019 at 2:01 pm

    Best way to build your speed is.
    1. Dress in gray
    2. Use a gray guitar
    3. Practice in room with gray background.
    4. Use gray pick
    LOL🤓 just kidding😇👍🎸🎶 awesome lesson. Thanks.🏆👍

  • Reply Slava Moskalenko July 16, 2019 at 12:49 pm

    Are you robot? Human simply can't play like that. In the end of the leak you play triple notes with ideal pace. Cmon, it's not possible.

  • Reply FRANXIS July 26, 2019 at 9:39 am

    But what if you play using your thumb???

  • Reply DJ Johnson August 7, 2019 at 5:37 pm

    You don't know how much this helps. I found this after I saw a ton of other vids and they didn't help. This does tho. Thanks for the tips dude. It really helps🤘🎸

  • Reply Chimken Nuggets September 8, 2019 at 6:56 am

    The intro killed me, he's being guitar sonic while i'm sitting here struggling to learn happy birthday smh

  • Reply Shanta Moiranthem September 26, 2019 at 11:37 pm

    Is that guitar RGT42?

  • Reply Mario Sanchez September 29, 2019 at 3:44 pm


  • Reply im-pro-at-skyrim October 13, 2019 at 1:57 pm

    Tone was scraping my eardrums

  • Leave a Reply